This course syllabus is discontinued or replaced by a new course syllabus.

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School of Music, Theatre and Art

Course Syllabus


Composition and Interpretation I, 30 Credits


Course Code: MG075G Subject Area: Field of Music
Main Field of Study: Musical Interpretation Credits: 30
    Subject Group (SCB): Music
Education Cycle: First Cycle Progression: GXX
Established: 2016-11-29 Last Approved: 2017-03-30
Valid from: Autumn semester 2017 Approved by: Head of School


Aims and Objectives

General aims for first cycle education

First-cycle courses and study programmes shall develop:
- the ability of students to make independent and critical assessments
- the ability of students to identify, formulate and solve problems autonomously, and
- the preparedness of students to deal with changes in working life.

In addition to knowledge and skills in their field of study, students shall develop the ability to:
- gather and interpret information at a scholarly level
- stay abreast of the development of knowledge, and
- communicate their knowledge to others, including those who lack specialist knowledge in the field.

(Higher Education Act, Chapter 1, Section 8)

Course Objectives

Knowledge and understanding
After finishing the course, the student is expected to have
- knowledge and understanding of interaction between creative processes and craftsmanship
- ability to describe the development of instrumentation until the romantic era and show understanding of difficulties in translating between different instrument idioms
- knowledge of principal musical forms within the classical and romantic eras, including the ability to perform basic musical analysis

Skills and abilities
After finishing the course , the student is expected to
- show developed craftsmanship in the field of composition
- be able to create reductions of orchestral scores
- be able to orchestrate and arrange music for different types of voices and intruments

Appreciation and Approach
After finishing the course, the student is expected to be able to
- reflect upon his or hers own artistic approach
- reflect upon how insights in music theory interacts with his or hers compositional process


Main Content of the Course

Course 1, Composition:
Composition, craft studies, score analysis and aesthetics

Course 2, Music theory :
Musical analysis, instrumentation and arranging

Course 3:
- Individual Second Study (instrument/voice/music theory)


Teaching Methods

- Individual Lessons
- Group Lessons
- Seminars
- Lectures

Students who have been admitted to and registered on a course have the right to receive tuition and/or supervision for the duration of the time period specified for the particular course to which they were accepted (see, the university's admission regulations (in Swedish)). After that, the right to receive tuition and/or supervision expires.


Examination Methods

Composition and Reflection, 9 Credits. (Code: 0001)
Examination by assessment of written scores, sounding presentations and written reflections.
Craftmanship, 3 Credits. (Code: 0002)
Examination by assessment of written assignments given during the course.
Score Analysis and Aesthetics, 3 Credits. (Code: 0003)
Examination by assessment of written assignments given during the course.
Music Analysis, 3.5 Credits. (Code: 0004)
Examination by assessment of written assignments given during the course.
Orchestration and Arranging, 4 Credits. (Code: 0005)
Examination by assessment of written assignments given during the course.
Individual Second Subject, 7.5 Credits. (Code: 0006)
Examination by assessment of performed and/or written assignments given during the course (depending on choice of subject).

For further information, see the university's local examination regulations (in Swedish).


Grades

According to the Higher Education Ordinance, Chapter 6, Section 18, a grade is to be awarded on the completion of a course, unless otherwise prescribed by the university. The university may prescribe which grading system shall apply. The grade is to be determined by a teacher specifically appointed by the university (an examiner).

According to regulations on grading systems for first- and second-cycle education (vice-chancellor's decision 2010-10-19, reg. no. CF 12-540/2010), one of the following grades is to be used: fail, pass, or pass with distinction. The vice-chancellor or a person appointed by the vice-chancellor may decide on exceptions from this provision for a specific course, if there are special reasons.

Grades used on course are Fail (U), Pass (G) or Pass with Distinction (VG).

Composition and Reflection
Grades used are Fail (U), Pass (G) or Pass with Distinction (VG).
Craftmanship
Grades used are Fail (U), Pass (G) or Pass with Distinction (VG).
Score Analysis and Aesthetics
Grades used are Fail (U), Pass (G) or Pass with Distinction (VG).
Music Analysis
Grades used are Fail (U), Pass (G) or Pass with Distinction (VG).
Orchestration and Arranging
Grades used are Fail (U), Pass (G) or Pass with Distinction (VG).
Individual Second Subject
Grades used are Fail (U), Pass (G) or Pass with Distinction (VG).


Obtaining the grade Pass with distinction (VG) on the whole course requires at least 18 hec with grade Pass with distinction (VG) and at least the grade Pass (G) in the rest of the course.


For further information, see the university's local examination regulations (in Swedish).


Specific entry requirements

60 Credits at a Bachelor Program of Fine Arts in Music and passed entrance test in Music Programme in Composition and an additional entrance test.

For further information, see the university's admission regulations (in Swedish).


Transfer of Credits for Previous Studies

Students who have previously completed higher education or other activities are, in accordance with the Higher Education Ordinance, entitled to have these credited towards the current programme, providing that the previous studies or activities meet certain criteria.


For further information, see the university's local credit transfer regulations (in Swedish).


Reading List and Other Teaching Materials

Part 1: Required Reading

Hambraeus, Bengt (1997)
Aspects of twentieth century performance practice: memories and reflections
Stockholm: Kungliga Musikaliska Akademin
Levinson, Jerrold (2015)
Musical Concerns: Essays in Philosophy of Music
Oxford: Oxford University Press, ISBN/ISSN: 978-0-19-966966-0
Wilkins, Margaret Lucy (2006)
Creative music composition: the young composer's voice
New York: Routledge

Part 1: Additional Reading
Belkin, Alan (2016)
A Practical Guide to Musical Composition
http://alanbelkinmusic.com/site/en/
Internet Encyclopedia of Philosophy (IEP)
The Aesthetics of Classical Music
http://www.iep.utm.edu/aest-c-l/#SH4c

Part 2: Required Reading
Adler, Samuel (2002)
The study of orchestration
New York : W.W. Norton, ISBN/ISSN: 0-393-10283-1, [CD-rom]
Stein, Leon (1995)
Structure and style : the study and analysis of musical forms
USA : Summy-Birchard Inc., ISBN/ISSN: 978-91-88316-68-4


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